There’s a reason the classics are classics—and it’s not because they have better agents than books that aren’t classics. The classics are classics because they pose the most basic questions about human experience in a way that is both lively and narratively interesting. The Greek and Roman classics are the foundation for our way of seeing the world. And therefore, we read them because they tell us something both true about us and true about life.

In the case of the Odyssey, we are talking about one of the great family dramas. It’s about homecoming, it’s about the meaning of home, it’s about how you know and how you prove your intimacy with members of your family. It’s about the bonds that connect family members over many years despite time and distance, grief and age.

Beyond that, it’s one of the greatest adventure stories and the forerunner of both fantasy literature and science-fiction. It envisions an adventurer who’s exposed to strange new civilizations—a Greek, and hence a representative of Western culture, traveling to the limits of the known world and being exposed to strange new cultures and civilizations. It is through the hero’s interactions with different models of civilization, from total barbarity to hyper-cultured behavior, that he comes to reflect on the nature and meaning of his own civilization, and to determine where on that spectrum it falls.

Hence Odysseus is, in a way, also the first anthropologist. His tale is one of someone motivated by curiosity as well as by the urgent need to return home, a man who’s very interested to see how other kinds of people live. And through Odysseus, we the readers get to reflect on just what it means to be civilized.

Image: Arnold Böcklin, Odysseus and Polyphemus, 1896

 

Prof. Mendelsohn discusses his translation of The Odyssey

Faculty

Daniel Mendelsohn

Daniel Mendelsohn is an author, critic, essayist, translator, Editor-at-Large of The New York Review of Books, and a teacher of literature at Bard College. Trained in Classics, he has written widely on Greek literature, memoir, theater, film, and contemporary culture.

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