William Faulkner’s Absalom, Absalom! is the American epic of the South, yet it remains relatively neglected. This is because it is a demanding work of fiction. The great Faulkner scholar Cleanth Brooks considered it his favorite Faulkner work and Faulkner’s best work; others find it impenetrable. Both evaluations capture something essential about the novel and about Faulkner as a writer.

In Absalom, Absalom!, Faulkner integrates themes from antiquity and modernity—Rome, Greece, Christendom, and the American South—into a sweeping account of memory, inheritance, and moral judgment. America, the American South, and the leading families of Faulkner’s fictional Yoknapatawpha County rise to epic proportions; their actions define the South’s future, and their choices help explain the South’s fate in the Civil War.

At the center of the novel stands Thomas Sutpen, described at the outset as a “man horse demon.” Faulkner gives us competing storytellers of Sutpen’s life, some treating him as protagonist and others as antagonist. Quentin Compson must reckon with his own heritage and hometown history through the tension between loyalty and morality, legend and truth.

Faulkner was often called the American Shakespeare. His prose is as beautiful and demanding as the story itself. The novel evokes the feeling of sitting on a southern porch after the Civil War, reckoning with the old South and its fate, while also taking on the dimensions of epic poetry. Fellows will consider what Faulkner reveals about the American South, the human soul, and the costs of inherited loyalties.

Image: Michael McCarthy Photography, Flickr

Faculty

Sam Postell

Samuel Postell is Assistant Director of the Lyceum Scholars Program at Clemson University’s Snow Institute for the Study of Capitalism. He holds a Ph.D. in Politics from the University of Dallas, with a dissertation on Henry Clay, union, and legislative statesmanship. His teaching and research span American political thought, capitalism, politics and literature, and antebellum political life. He has a forthcoming book on Melville’s Moby-Dick entitled American Epic: Philosophy, Power, and Impiety in Melville’s Moby-Dick.

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