There’s a reason the classics are classics—and it’s not because they have better agents than books that aren’t classics. The classics are classics because they pose in a way that is lively and narratively interesting and challenging the most basic questions about human experience. The Greek and Roman classics are the foundation for our way of seeing the world. And therefore, we read them because they tell us something true about life.

In the case of the Odyssey, it’s one of the great family dramas. It’s about homecoming, it’s about the meaning of home, it’s about how you know and how you prove your intimacy with members of your family. It’s about the bonds that connect family members over many years despite time and distance.

Beyond that, it’s in a certain sense the first science-fiction narrative. It envisions an adventurer who’s exposed to strange new civilizations. Odysseus is the person from Greek civilization, from Western culture, touring abroad through alternative and new civilizations. And it is through his interactions with different models of civilization, from total barbarity to hyper-cultured behavior, that he comes to reflect on his own civilization and to determine where in that spectrum it falls.

Maybe science fiction is a little strong. It’s certainly one of the first anthropological documents in the Western tradition. It’s about somebody who’s very interested to see how other kinds of cultures live. And through Odysseus, we the readers get to reflect on just what it means to be civilized.

This course description is adapted from Daniel Mendelsohn’s remarks in Richard Hurowitz’s “A Classic: Daniel Mendelsohn on the Odyssey,” an interview published by The Octavian Report on July 18, 2026.

Image: Arnold Böcklin, Odysseus and Polyphemus, 1896

 

Prof. Mendelsohn discusses his translation of The Odyssey

Faculty

Daniel Mendelsohn

Daniel Mendelsohn is an author, critic, essayist, translator, Editor-at-Large of The New York Review of Books, and a teacher of literature at Bard College. Trained in Classics, he has written widely on Greek literature, memoir, theater, film, and contemporary culture.

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