The political instability of our moment feeds in part on a widespread sense of personal unease, particularly among the young. The philosophic foundation of that unease is the experience definitive of existentialism—the sense of “an absolute rift between man and that in which he finds himself lodged,” as Hans Jonas put it. This course will explore two alternative accounts of this existential condition and the proper human response to it.

Blaise Pascal, the great 17th-century polymath sometimes called “the first existentialist,” powerfully depicted the human experience of dislocation within the “eternal silence of the infinite spaces” described by modern science. He found in this experience of cosmic “thrownness” the deepest impetus for man’s search for the transcendent yet personal God of Abraham, Isaac, and Jacob. Centuries later, Albert Camus would ask the question of how human beings could affirm life in the face of its intrinsic godlessness and meaninglessness, and sketch a form of existential heroism that managed to say “yes” to life in spite of its absurdity. Our exploration of these two authors is intended to help students with their own efforts to live dignified lives in a world so many find unsettling.

Image: Paul Klee, Glance of a Landscape, 1926

Ben Storey & Thomas Chatterton Williams on Pascal & Camus

Faculty

Thomas Chatterton Williams

Thomas Chatterton Williams is a staff writer at The Atlantic and the author of Losing My Cool and Self-Portrait in Black and White. He is a Visiting Professor of Humanities and senior fellow at the Hannah Arendt Center at Bard College, a 2022 Guggenheim fellow, and a visiting fellow at AEI. He was previously a contributing writer at The New York Times Magazine and a Columnist at Harper’s.

Benjamin Storey

Benjamin Storey is a senior fellow in Social, Cultural, and Constitutional Studies at the American Enterprise Institute. He recently co-authored a book with Jenna Silber Storey entitled Why We Are Restless: On the Modern Quest for Contentment.

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